Time Management

In order to efficiently manage time we created a table weeks in advance of each shoot with details of the date, time of day, set etc. This allowed for a more efficient shoot as all parties involved knew where to be and when therefore allowing for maximum time efficiency and therefore higher quality and a larger range shots.

Scene	Set	Date/Time	Actors/Characters
Chamber Of Reflection	Living Room, 40 Langford Lane	4PM-7:30PM 17th of January 2018	Robbie Potts as Freemason George Charnley-Shaw as Protagonist
Bench	Ilkley Park bench	9AM 16th of February 2018	Amy Thornton as Girlfriend George Charnley-Shaw as Protagonist
Bus Stop	Out of use bus stop on Albany Walk, Ilkley	12PM 16th of February 2018	Amy Thornton as Girlfriend George Charnley-Shaw as Protagonist

We also sent texts out to the actors at a time closer to the shoot just in case they had forgotten.

Our Album Advert

Conventions:

Includes artists name and album in clear font in order to catch consumers eyes.

Includes date of release to inform possible consumers about when they can buy it.

Includes positive reviews from big name companies such as The Guardian enticing consumers.

Record company in the corner therefore you can still see it but it doesn't obstruct the poster.

Members of the band on the advert.

Non-Conventions:

Doesn't feature an image of the album as we believed it wouldn't be necessary as it the album art is incredibly similar to the poster (Same building, subjects and font).

How we made it:

Firstly using a Nikon camera we took a number of portrait and landscape photos using a variety of poses. We then looked through each picture and chose the one we believed work best as the poster (the one above).

We then put it in Adobe Photoshop and edited the photo to in the contrast and brightness section to have 40 level of contrast.

Opened Adobe Illustrator and set the background to A4.

For the writing we used the text box function and chose the Cooper std and then adjusted the size of the fonts to suit each usage.

We then needed to add the record company, to do this we downloaded the Captured Tracks logo as an image on line and put it into to Adobe Illustrator and changed it into a vector by highlighting it and pressing image trace and then expand, then placed it in the bottom right corner.

Our digipack

Conventions
- Songlist on back to let the audience know the content of the album
- Artist and title on front to make the digipack immediately recognisable
- Links to album advert and music video in theme and people
- Record label and barcode are required
- Continuous colour theme to provide aesthetic appeal

Unconventional
- Songlist placement, unusual to have them in the top right hand corner instead of middle or left
- Drawings included on the inside. Although most digipacks are more likely to feature further photography, this is actually conventional of the artist - as seen on Mac Demarco's This Old Dog album.

How was it made?
- The drawings were scanned and put into adobe illustrator where they were individually selected and repositioned. Using the eyedropper, a rectangle of the same colour as the masonic hall's door was drawn across the digipack template. The drawings were then grouped together as a single object, repeated to form a pattern design and placed over the blue background
- Each photo was placed into the application before being cropped and moved into place
-Appropriate fonts were chosen for the writing and the eyedropper tool was employed again
- A barcode and record label were taken from the internet, made into vectors and put into place in the corners of the digipack

Mirror flashback

To make the mirror flash back the first thing we did is choose a mask from the effects section, we chose the draw mask option as we wanted to get the exact shape of the mirror. We then dragged it over the clip we wanted to mask. We then zoomed in to achieve greater accuracy and began to draw the mask. After this we ticked the invert mask as it was the wrong way round and feathered the mask using the feather slider making it look more realistic. We then placed the clip we wanted in the mirror bellow the clip of the protagonist looking in the mirror. From this point we used a key frame from the point of him opening the mirror to the point of the next clip beginning. The start of the key frame the opacity is 100% while at the end the opacity is 0% which reveals the clip placed on the layer bellow. What this looks like is the contents of the mirror fading into the flashback. We then did the same for the next clip. 

Music video second draft

Digipack idea & feedback

- We like the idea of having a photo of our local masonic hall, in Ilkley, on the back, possibly with our freemason walking in shot. This could present the song list. On the other sides, we could have close up portraits of each of the three characters present. The main character, myself, representing also the artist would probably be on the front. 

-We put this idea, with our sketches, to the target audience. We found that although they liked the idea of the photo outside the hall, they thought the close up portraits might be a bit too common and regular, unlike the video. They thought we should have the back cover linked to the front for continuity but do something different for the inside, something which links to Mac DeMarco's style.

-Therefore, we have decided to use two photos from our shoot, one for the front and one for the back. On the inside, we will draw and scan Freemason related drawings in the style of Mac's last album cover, 'This Old Dog.' In this way, it will link to both the artist and the theme of the video. For the background on the inside and fonts on the outside, we thought using the colour of the door might look nice for continuity.

Influences: Mac & George Micheal

In the process of researching and planning our video, these were some of our most important influences.

Firstly, Mac's own work provided us with inspiration in many ways. The ideas of using an app to create an analogue style look to some of our footage, the placing of separate footage onto a mirror in the main footage to represent flashbacks, the beginning of the music's alignment with a visible action and finally the tongue in cheek narrative, theme and character. Read about these inspirations in previous blog posts; 'Ode to Viceroy', 'Mac Demarco' and 'Passing out the Pieces'. Finally, the Freemason induction theme comes directly from the song - with 'Chamber of Reflection' referencing the F.M induction process.

Secondly, we found 80's over the top sickly romantic pop videos by the likes of George Micheal's 'careless whisper' to be laughably cringe with their plots of romantic heartbreak, while at the same time being aesthetically very pleasing. 'Careless Whisper' fades between over-acting George Micheal expressing his turmoil and heartbreak (with screwed up expressions and powerful hand gestures) to beautifully shot flashbacks of a past love on glorious days to intimate low lit bedroom shots. This is where we got the idea to combine a narrative of romantic suffering with our Freemason induction theme. Our main character's 'reflection' will be upon his past romance. He must strike to overcome his turmoil and turn his attention instead to the brotherhood which he is about to enter. Finally, our inspiration from this era is another reason for our choice to use old school analogue filter - hoping to draw a parallel.